I am now completely smitten with Avatar. "Oh," you say, "You mean the James Cameron mega-hit block-pulverizer that is sending geysers of money into theaters around the world?". Nice try, but no! I speak here of the Nickelodeon kid's cartoon titled "Avatar: The Last Airbender". I resisted watching this show for the longest time. I remember Nickelodeon from my younger da
ys, and I associate them with at best the grotesque and funny like Ren and Stimpy and at worst the grotesque and boring like Rugrats.So avatar had two strikes against it. One, it was aired on Nickelodeon, and two, that kid has a blue arrow on his head! But after all these years, I've heard it recommended from multiple sources whose opinions I trust, and the mind-reading robot at netflix gave me an 80% chance of rating it 5 stars. So I finally decided to give it a try, and boy am I glad I did.
Avatar is set in an unapologetically Asian-flavored world composed of four kingdoms, each dedicated to one of the four classical elements (Earth, Air, Fire, and Water). Talented individuals from each kingdom can control their native element through the art of "bending", a fusion between magic and kung-fu.
Our hero is a boy named Aang, who is the reincarnation of the Avatar, a hero who is reborn in each generation, and who has the ability to bend all four elements. Through most of history, the Avatar has used his (sometimes her) power to preserve peace between the four nations. However, Aang had the misfortune of getting frozen in the middle of an iceberg. And it seems like about the time he disappeared, the Fire Nation decided it was a fine time to make like the Japanese in WWII and conquer the world. The show begins a hundred years later, when Aang finally gets thawed out of the ice, and finds that the Fire Nation is coming close to sealing their victory after a century of war.
So far, it doesn't sound too atypical, but it is the execution where Avatar shines. Avatar contains better storytelling and greater depth that I have ever seen in American television animation.
At its core, Avatar is an American anime. For those of you who have not experienced this wonderful storytelling medium, anime (pronouced ah-ni-may) is a term for animation in the Japanese style. My full extended hymn to Japanese cartoons and comic books is material for a separate post, but suffice it to say that if you have no experience with them, you are missing out.
The drawing style of Avatar, in the way light plays across surfaces and in the basic character designs, shows clear influence from anime. But maybe the most critical influence is in the acting. TV animation is necessarily produced with a lower budget than its theatrical cousin. But most American TV animation saves on budget by giving its characters atrocious acting. When they are not just talking heads (a la South Park) they are prone to weird arm-flailing gestures that no actual human ever makes.
Japanese animation does not have this problem. Quite the opposite, they draw their characters with giant eyes and exaggerated movements that combine to give them a greater-than-human range of expression, even when on a minimum budget. Avatar combines this with excellent writing and voice acting to produce the most convincing, most alive characters I have ever seen in American TV animation. Special mention has to go to Sokka, Aang's traveling companion from the water tribe. A lesser show could have easily made Sokka into a mere comic buffoon or a punching bag for his water-bending sister's girl power. Certainly he contributes to the comedy elements of the show, roughly half the time at his expense, but he also has many genuinely touching moments. He conveys very well the struggle of a boy who is forced to assume the responsibilities of a man at a young age, and he grows into a capable fighter, despite having no bending powers.
The fight scenes are another area where avatar shines. For the elemental benders, fighting does not consist of standing placidly and shooting blasts of fire and ice at each other. Instead, their bending appears to be a projection of their skill at kung-fu onto the external elements that surround them. Avatar involves the best martial arts choreography I can remember seeing on any TV show, animated or otherwise. It even includes a few epic battle sequences, which are likewise superb. But despite this, Avatar remains true to its position as a children's cartoon. There is plenty of excellent action, but very little real violence. It has neither onscreen killing nor implied offscreen killing, as the heroes are content to simply knock out or disable the Fire Nation minions they fight, or blast them out of the arena, or send them running away in startled retreat.
Indeed, Avatar is just the kind of entertainment I would want my children to grow up with. Though it is a kid's show, it never dumbs itself down. Even though it has little immediate violence, it is refreshingly honest about themes that you would expect a kids show to shy away from, about the reality of death and the horrors of war. It is a constant hardship for Aang that all the people he knew before becoming frozen is the iceberg have died in the intervening century. One of the most touching moments in the first season comes when Aang reunites with a former playmate who is still alive as a hundred-plus-year-old man, and discovers that even though his friend has changed so much, their friendship has not.
There is more to love. Rather than running for season after season until its popularity and artistic merit runs dry, Avatar again borrows from the traditions of Japanese animation by telling a complete story arc over its three seasons. But it also retains the best aspects of American animation, such as the brilliant slapstick that is our legacy from the Looney Tunes and Tom and Jerry. Overall Avatar does so many things wonderfully right that it becomes more than sum of its parts. I have only finished the first season, but every single episode so far has been a winner. I am hungry for more.